{"id":81,"date":"2022-02-15T17:20:21","date_gmt":"2022-02-15T17:20:21","guid":{"rendered":"https:\/\/www.terezaprivratska.com\/?page_id=81"},"modified":"2022-02-28T10:17:30","modified_gmt":"2022-02-28T10:17:30","slug":"violinist","status":"publish","type":"page","link":"https:\/\/www.terezaprivratska.com\/?page_id=81","title":{"rendered":"Violinist"},"content":{"rendered":"\n

Tereza Privratska graduated from the Prague Conservatory under the tutelage of Jindrich Pazdera in Prague. She then moved to London to study with Maurice Hasson and Jack Liebeck at the Royal Academy of Music<\/a>, completing a BMus with honours and a MMus with distinction. With the Jubilee Quartet, Tereza completed fellowships at the Royal Academy of Music, Trinity Laban, and double years of postgraduate study both at Escuela Superior de M\u00fasica Reina Sof\u00eda<\/a> with G\u00fcnter Pichler and Musik Akademie Basel<\/a> with Rainer Schmidt. <\/p>\n\n\n\n

\u201cHere and there, the quartet\u2019s superb leader, Tereza Privratska, adds a touch of improvised ornamentation on a held note, just as pianists do in Mozart\u2019s piano concertos.\u201d The Daily Telegraph <\/p>

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\u201c\u2026\u2026notably in the emotionally charged dynamic shifts in the Capriccio of op.20 no.2 and the tense, brooding chorale of op.54 no.2, which is agreeably transformed by lead violinist Tereza Privratska into impassioned quasi-improvisatory fantasies. Privratska also excels in her elaborations of the sustained cantabile melody of the Adagio of op.64 no.4, the rustic Menuetto movement of which features her in more playful mood, particularly in its pizzicato-accompanied trio\u2026\u2026 \u201c The Strad<\/a><\/p><\/blockquote>\n\n\n\n

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